Perhaps foremost, “Vice” feels as if it’s spinning its wheels until Cheney gains that title, after Lynne seeks to dissuade him from being Bush’s running mate by reminding him that he has always said vice president is “a nothing job.” Informed by his belief in the Unitary Executive Theory — a rationale for expanding presidential powers — Cheney assumed a larger portfolio than other vice presidents, manipulating the cheerfully upbeat Bush into ceding authority to him.
That dynamic is best captured by the Sept. 11 terror attacks and their aftermath, and director Adam McKay isn’t subtle about accentuating the fallout from Cheney’s reaction or the collateral damage that ensued due to the tactics employed after that crisis.
Reunited with Bale and Carell, who he worked with on the splendid “The Big Short,” McKay knows his way around the nexus of ruthlessness and power, portraying both in the context of Cheney’s bare-knuckled approach to politics.
First, though, he goes back to 1963, when Lynne pressures a young, then-directionless Dick to clean up his act, eventually leading to his relationship with Rumsfeld, who schools him in the ways of Washington.
There’s much to admire spread throughout the film, from Bale and Adams’ central performances to a closing-credit sequence that overtly addresses the notion that this is just another anti-Republican screed from liberal Hollywood, likely to be dismissed by conservative detractors.
Still, most of the good choices are offset by a questionable one, including the device of having the whole movie framed by an omniscient narrator (Jesse Plemons) whose role only becomes clear near the end.
“Vice” thus feels like less than the sum of its parts — despite the outward trappings of a classy, impeccably cast exploration of Cheney’s guarded life and political career. It’s a character study of a man imbued with a guiding vision of his own greatness that, finally, yields a somewhat scattered, just-OK movie.
“Vice” premieres Dec. 25 in the US. It’s rated R.